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Covers Super 35 Format (Red Raptor 7K 6:5)
Interchangeable PL Mount
T2 to T16 Aperture Range
0.8-MOD Focus & Aperture Gearing
14-Blade Iris
Streak Effects
114mm Front Diameter
Focus Marks in Feet
Atlas Orion Anamorphic T2 Lens 25mm PL
Atlas Orion Anamorphic T2 Lens 32mm PL
Atlas Orion Anamorphic T2 Lens 40mm PL
Atlas Orion Anamorphic T2 Lens 65mm PL
Atlas Orion Anamorphic T2 Lens 80mm PL
Atlas Orion Anamorphic T2 Lens 100mm PL
At the heart of this lens set is the now legendary vintage Russian 58mm f2 Helios. Its beautiful swirling bokeh and pronounced lens flares have given the lens a cult following among filmmakers and portrait photographers alike. Quite simply put, in the Clavius set, the 58mm is a rehoused Helios 58mm f2. Richard Gale Optics then used the 58mm as the base lens for the rest of the set, building a 28mm, 38mm and 88mm each with the Helios 58mm at their core.
These lenses maintain the Helios’ beautiful bokeh and flares across all 4 lenses. However you can take your creativity another direction, we have interchangeable aperture inserts to give your footage anamorphic bokeh, but with the ease of shooting spherical. Richard Gale Optics has been developing this lens set for years, and the latest housings are excellent. Long, buttery smooth focus throw, true internal focus, 95mm fronts, that work with all standard matte boxes, and PL mounts that will accept any brand of PL to EF adapter.
The set comes with
Richard Gale Clavius 28mm T2
Richard Gale Clavius 38mm T2
Richard Gale Clavius 58mm T2
Richard Gale Clavius 88mm T2
18mm T2.2, CF 11”, 110mm OD
25mm T2.2, CF 13”, 110mm OD
32mm T2.2, CF 13”, 110mm OD
50mm T2.2, CF 13”, 110mm OD
75mm T2.2, CF 2’6”, 110mm OD
100mm T2.6, CF 2’, 110mm OD
PL Mount, Full Frame
ZEISS Supreme Prime lenses offer consistent coverage, color rendering, aperture, size, weight, and ergonomics, making them a reliable choice. They are compatible with sensors from Super 35 to full frame and beyond (FF+). These lenses are color matched and most have a fast T-stop of T1.5. With a small front diameter of 95 mm and standardized focus and iris ring positions, equipment changeout is quick and effortless. Their compact and lightweight design ensures easy and comfortable handling. The Supreme Prime lenses have an ultra-smooth focus rotation, even in extreme temperatures, allowing for effortless setup with small motors.
Package includes:
18mm T1.5
25mm T1.5
35mm T1.5
50mm T1.5
85mm T1.5
100mm T1.5
BLACKWING7 from TRIBE7 are unique among modern lenses. Available from three distinct tuning sets: S-Tuned, T-Tuned, and X-tuned, these large format primes are excellent for hyper-expressive work. Differing tunings showcase varying sharpness, contrast, roll-off, spherical aberration, field curvature, edge halation, and flares.
20.7 T1.8, 27 T1.8, 37 T1.8, 47 T1.8, 57 T1.8, 77 T1.8, 107 T1.8, 137 T1.8
18 T2.6, 22 T1.5, 28 T1.3, 35 T1.5, 50 T1.3, 75 T1.5, 100 T2.1
18 T2.6, 22 T2.1, 28 T2.1, 35 T2.1, 50 T2.1, 75 T2.1, 100 T2.1
1x Sony FE 24mm f/1.4 G Master lens
1x Sony FE 35mm f/1.4 G Master lens
1x Sony FE 50mm f/1.2 G Master lens
1x Sony FE 85mm f/1.4 G Master lens
1x Sony FE 100mm f/2.8 G Master lens
The Vespid Cine Prime Lenses offer superior image quality with a perfect balance of modern and vintage aesthetics. Its APO design produces sharp and accurate images with minimal chromatic aberration.
12 T2.8, 16 T2.8, 25 T2.1, 35 T2.1, 50 T2.1, 75 T2.1, 90 T2.8 M, 100 T2.1, 125 T2.1
ALEXA 35 Camera, 4.6K S35 CMOS Sensor
Up to 4.6K 4608 x 3164, Cine License
LPL Mount (LBUS), PL to LPL Adapter
19mm Studio/LWS Support, BUD-1 Dovetail
MVF-2 HDR EVF, B-Mount Battery Plate
Power Distribution Module PDM-1
MXF/ARRIRAW & MXF/Apple ProRes 4444 XQ
1 Power Cable, 2 EVF Cables
17 Stops Dynamic Range
Motorized ND Filters, Compact Design
Large-Format 4448 x 3096 Sensor
Native 4K Recording in ARRIRAW & ProRes
Large-Format Optimized LPL Lens Mount
Open Gate, 16:9 & 2.39:1 Anamorphic Mode
Native 800 ASA, 14+ Stops Dynamic Range
Array of ARRIRAW & ProRes Capture Modes
Works with Most ALEXA Mini Components
Internal FSND 0.6, 1.2 & 1.8
Viewfinder & Power Splitter Included
Compact, Highly Mobile Design
Full-Frame CMOS 8.6K Sensor
16 Stops of Dynamic Range
In-Body Image Stabilization | E & PL Mount
Dual-Base 800/3200 ISO Range
Electronically Variable 0.6-21ND Filter
Phase Detection AF | Face/Eye Tracking
Full-Frame & Super35 Sensor Modes
Supports Multiple Frame Rates & Codecs
Dual CFExpress Type B Card Slots
4K Full-Frame 10.2MP CMOS Exmor R Sensor
DCI 4K60p | UHD 4K120 | 1080p240
15+ Stops of Dynamic Range in S-Log 3 EI
Compact Form Weighs Just <2 lb
Phase Detection AF/Face Tracking/Eye AF
Base 800-12,800 ISO / 320-409,600 Max
S-Cinetone, S-Log3, HLG Modes
10-Bit 4:2:2 XAVC-I/16-Bit Raw Output
Dual CFexpress Type A/SDXC Card Slot
12.1MP Full-Frame CMOS Exmor R Sensor
UHD 4K up to 120 | 1080p up to 240
Compact Form for Cage-Free Operation
10-Bit 4:2:2 XAVC S-I,16-Bit Raw Output
S-Cinetone/S-Log3/HLG, 15+ Stops DR
Detachable 2 x XLR/TRS Adapter Handle
Phase Detection AF/Face Tracking/Eye AF
80 to 409,600 Expanded ISO Range
Dual CFexpress Type A/SDXC Card Slots
12.1MP1 Exmor R sensor, optimized for 4K, sensitivity and speed
New BIONZ XR processing engine delivers 8x more processing power2
Low noise images w/ ISO up to 409,6003 and 15+stop dynamic range4
Up to 4K 120p5 10-bit 4:2:2 and full pixel readout in all rec. modes
Up to 4K 120p5 in XAVC S (AVC), XAVC HS (HEVC) and XAVC S-I (All-I)
Video capture resolution: 4K UHD 2160
35.4MP Full-Frame, Rolling Shutter CMOS
Lightweight & Compact DSMC3 Design
Canon RF Lens & CFexpress Type-B Support
Up to 8K120 17:9, 6K198 S35 & 4K240 17:9
17+ Stops of Dynamic Range
Right-Side Assistant's User Interface
REDCODE Raw HQ, MQ & LQ Options
USB-C & Dual 12G-SDI Ports
19.9MP Super35 Global Shutter CMOS
Compact, 2.1 lb All-in-One Design
Canon RF Lens & ARRI CFast 2.0 Support
16+ Stops Dynamic Range
Up to 6K40, 5K48, 4K60 & 2K120 Recording
REDCODE RAW HQ/MQ/LQ & Apple ProRes
Integrated 2.9" 1440 x 1440 Touchscreen
Wireless Control & Preview via Wi-Fi
CFast 2.0 Card Slot; RED IPP2 Support
Active Canon EF/EF-S Mount
Super 35-Sized HDR Sensor
Record 6K 6144 x 3456 up to 50 fps
Dual Native 400 & 3200 ISO to 25,600
5" 1920 x 1080 Touchscreen Display
Record up to 120 fps Windowed HD
External Recording via USB Type-C
13-Stop Dynamic Range, 3D LUT Support
4/3"-Sized HDR Sensor
DCI 4K60, 2.8K80 Raw in 4:3 Anamorphic
Dual Native 400/3200 ISO / up to 25,600
Up to 2.6K 120 Raw for Super16 Lenses
5" Touchscreen Display
Active Micro Four Thirds Lens Mount
CFast 2.0 & SD/UHS-II Card Slots
External Recording via USB Type-C
13-Stop Dynamic Range, 3D LUT Support


Covers Large-Format Sensors
ARRI LPL LDS-2 Mount
Fast T1.8 Maximum Aperture
11-Blade Iris for Smooth Bokeh
Compact, Lightweight Magnesium Design
Common 114mm Front Diameter
Smooth Focus Fall-Off
Marked in Feet
ARRI Signature Prime 18mm T1.8 LPL
ARRI Signature Prime 25mm T1.8 LPL
ARRI Signature Prime 35mm T1.8 LPL
ARRI Signature Prime 47mm T1.8 LPL
ARRI Signature Prime 75mm T1.8 LPL
ARRI Signature Prime 125mm T1.8 LPL